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Book Review: Century Girl Midnight Palace staff writer Teresa Watson takes a look at the new book on Doris Eaton Travis, the last remaining Ziegfeld girl, who at 104, is not ready to stop dancing. Read the review!
Ben Lyon: Actor, War Hero, and Talent Scout. Midnight Palace staff writer Edward Lorusso talks about Hell's Angels star Ben Lyon and the factors which made him a leading man during the silent era and into the talkies. Read the article!
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Dorothy Dandridge - Star of the Month (June 2008) |
Written by Teresa Watson | |
Every month we throw the spotlight on an actor or actress who exemplifies what it means to be a class act. As always, we welcome your emails if you have a suggestion for a future Star of the Month. The Midnight Palace is pleased to present the Star of the Month for June 2008: Dorothy Dandridge. Date of Birth Date of Death Birth Name Nickname(s) Height Overview:
In 1954, director Otto Preminger was looking for an actress to star in his new movie Carmen Jones. A young woman came into his office, well-dressed from head to toe. He rejected her immediately, saying, She looks too much like Loretta Young. The actress and her agent pleaded for another chance; Preminger agreed. The agent grabbed the script and left with his client. The next day, a woman came into Premingers office, wearing a messy black wig, an off-the-shoulder low cut black peasant blouse without a bra, a black satin skirt with a slit to the thigh without a girdle, and black high-heeled pumps. Preminger took one look at her and declared, My God, its Carmen! The young lady who had just won the role of a lifetime was Dorothy Dandridge. Dandridge was no stranger to acting. Her mother, Ruby, was an actress, as was Dorothys sister, Vivian. As children, the sisters performed as the Wonder Kids. They sang at churches and schools; as teenagers, they performed at the Cotton Club. They appeared with some of the biggest names in music during the 30s: Duke Ellington, Cab Calloway, and Jimmie Lunceford. During the 30s, Dorothy and Vivian appeared in small, uncredited roles in movies: The Big Broadcast of 1936, Easy to Take and A Day at the Races with the Marx Brothers. But by the mid-40s, the Dandridge Sisters broke up; Vivian wanted a solo act. The acting roles that Dorothy desperately wanted were not available to her because she was African-American. Problems in her personal life sent her into a deep depression: her marriage to dancer Harold Nicholas (of the famous dancing Nicholas Brothers) was not a good one, and their only child, a daughter named Harolyn, had been born with brain damage. Dorothy later remarked in an interview: "She doesn't even know that I am her mother. She only knows that I like her and she likes me ... This is the biggest hurt of my whole life." Dorothy felt she was a failure in every aspect of her life, both personally and professionally. But it was this feeling of failure that would propel her towards the greatest role of her young life. After the divorce, Dorothy was determined to be a star. By 1951, Dorothy was performing at the Mocambo with Desi Arnaz's band. But she had such bad stage fright, that she froze up. Her manager, Phil Moore, who also worked with Lena Horne, managed to talk and joke around with her onstage. After that, he worked long hours with her, trying to build her confidence and help her get over her stage fright. By bringing out her fiery personality, her act became the talk of the town, breaking previously-set attendance records. By 1954, she had spent several years taking acting, voice and dancing lessons. She had the skills; she only needed a chance to shine. After her second meeting with Preminger, Dorothy did a screen test and passed with flying colors. But a few days after she was told the role was hers, she hid in her apartment, overcome with fear and self-doubt. She sent a message to Preminger, informing him that he would have to continue the search for his Carmen. He immediately drove to her house to talk to her. By the end of the night, she had agreed to stay in the movie. Carmen Jones was an adaptation of Bizets opera Carmen, with an all-star African-American cast. Carmen (Dandridge) is a beautiful, sexy woman working at a parachute factory who meets a young Army man, Joe (Harry Belafonte). She is attracted to him instantly, but Joe has a girl, Cindy Lou (Diahann Carroll) waiting for him back home. This does not stop Carmen from getting what she wants: Joe. Eventually, Joe leaves the Army and his girl for the beautiful Carmen, who uses him and then dumps him for another man. Having lost everything because of her, Joe eventually strangles her. Take a look at this famous cafeteria scene from Carmen Jones: |
Carole Landis - A Most Beautiful Girl: Coming June 2008Despite appearing in twenty-eight movies in little over a decade,
Carole Landis never quite became a major Hollywood star. Although she acted in
such enduring films as A Scandal in Paris, she was most often relegated to supporting roles. Even when she played the major role in a feature, as she did in The Powers Girl and the film noir I Wake Up Screaming!, she was billed second or third behind other actors. This
biography traces Landis's life, chronicling her beginnings as a dance
hall entertainer in San Francisco, her career in Hollywood and abroad,
her USO performances, and ultimately her suicide. Using interviews with
actors who worked with Landis, contemporary movie magazines and
journals, and correspondence, biographer Eric Gans reveals a tragic
figure whose life was all too brief. Landis's big break came in 1940 with Hal Roach's One Million B.C.
She appeared in thirteen Twentieth Century-Fox pictures between 1941
and 1946. After her last American film in
1947, she worked in England while having an affair with
married actor Rex Harrison. Tormented by a love that could not lead to
matrimony and depressed with age, she took a fatal drug
overdose on July 5, 1948. Click here to order this book! |
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