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Author: Charles McGraw, Bio of a Film Noir Tough Guy
Director, The Film Noir Foundation
Stepin Fetchit: The First Black Superstar
Dorothy Dandridge - Star of the Month (June 2008)
Written by Teresa Watson
Every month we throw the spotlight on an actor or actress who
exemplifies what it means to be a class act. As always, we welcome your
emails if you have a suggestion for a future Star of the Month. The Midnight Palace is pleased to present the Star of the Month for June 2008: Dorothy Dandridge.
Date of Birth
November 9, 1922, Cleveland, Ohio
Date of Death
September 8, 1965, West Hollywood, California
Birth Name
Dorothy Jean Dandridge
Nickname(s)
Dottie
Dottie Mae
Miss D
Bessie Mae
Height
5' 5"
Overview:
In 1954, director Otto Preminger was looking for an actress to star in his new movie Carmen Jones. A young woman came into his office, well-dressed from head to toe. He rejected her immediately, saying, ?She looks too much like Loretta Young.? The actress and her agent pleaded for another chance; Preminger agreed. The agent grabbed the script and left with his client. The next day, a woman came into Preminger?s office, wearing ?a messy black wig, an off-the-shoulder low cut black peasant blouse without a bra, a black satin skirt with a slit to the thigh without a girdle, and black high-heeled pumps.? Preminger took one look at her and declared, ?My God, it?s Carmen!? The young lady who had just won the role of a lifetime was Dorothy Dandridge.
Dandridge was no stranger to acting. Her mother, Ruby, was an actress, as was Dorothy?s sister, Vivian. As children, the sisters performed as the Wonder Kids. They sang at churches and schools; as teenagers, they performed at the Cotton Club. They appeared with some of the biggest names in music during the 30s: Duke Ellington, Cab Calloway, and Jimmie Lunceford. During the 30s, Dorothy and Vivian appeared in small, uncredited roles in movies: The Big Broadcast of 1936, Easy to Take and A Day at the Races with the Marx Brothers. But by the mid-40s, the Dandridge Sisters broke up; Vivian wanted a solo act. The acting roles that Dorothy desperately wanted were not available to her because she was African-American. Problems in her personal life sent her into a deep depression: her marriage to dancer Harold Nicholas (of the famous dancing Nicholas Brothers) was not a good one, and their only child, a daughter named Harolyn, had been born with brain damage. Dorothy later remarked in an interview: "She doesn't even know that I am her mother. She only knows
that I like her and she likes me ... This is the biggest hurt
of my whole life." Dorothy felt she was a failure in every aspect of her life, both personally and professionally. But it was this feeling of failure that would propel her towards the greatest role of her young life. After the divorce, Dorothy was determined to be a star.
By 1951, Dorothy was performing at the Mocambo with
Desi Arnaz's band. But she had such bad stage fright, that she froze up.
Her manager, Phil Moore, who also worked with Lena Horne, managed to
talk and joke around with her onstage. After that, he worked long hours
with her, trying to build her confidence and help her get over her
stage fright. By bringing out her fiery personality, her act became the
talk of the town, breaking previously-set attendance records. By 1954, she had spent several years taking acting, voice and dancing lessons. She had the skills; she only needed a chance to shine. After her second meeting with Preminger, Dorothy did a screen test and passed with flying colors. But a few days after she was told the role was hers, she hid in her apartment, overcome with fear and self-doubt. She sent a message to Preminger, informing him that he would have to continue the search for his Carmen. He immediately drove to her house to talk to her. By the end of the night, she had agreed to stay in the movie.
Carmen Jones was an adaptation of Bizet?s opera Carmen, with an all-star African-American cast. Carmen (Dandridge) is a beautiful, sexy woman working at a parachute factory who meets a young Army man, Joe (Harry Belafonte). She is attracted to him instantly, but Joe has a girl, Cindy Lou (Diahann Carroll) waiting for him back home. This does not stop Carmen from getting what she wants: Joe. Eventually, Joe leaves the Army and his girl for the beautiful Carmen, who uses him and then dumps him for another man. Having lost everything because of her, Joe eventually strangles her. Take a look at this famous cafeteria scene from Carmen Jones:
The movie was a surprise hit of 1954, and Dorothy was touted as the next big star. Things began to happen for her at a frantic pace: she was the first African-American woman to grace the cover of Life magazine; film critics voted her one of the top five performers of the year; and in February 1955, she became the first African-American woman to be nominated for a Best Actress Oscar (she lost to Grace Kelly). She continued a grueling schedule of public and nightclub appearances; she signed a three-year deal with Darryl Zanuck to make one picture a year. She flew all over the world with Preminger, posing on the red carpet like she owned it. And for a while, she did.
On Preminger?s advice, she turned down the role of Tuptim in The King and I, which she later regretted. ?I would have received seventy-five thousand dollars for playing Tuptim, and I would have been in a picture seen by millions. It would not have been the role of Negro?, she said. (The part went to Rita Moreno, who was also non-Asian).
The Star Who Fell Too Soon...
Dorothy's decline happened just as quickly as her rise. It was three years before she did another movie: Island in the Sun with Belafonte and James Mason. She portrayed an island girl in love with a white man from Britain. In fact, her next three movies found her in the arms of white men: Trevor Howard, Stuart Whitman and Broderick Crawford. The last movie she starred in was Porgy and Bess (1959), with her Carmen Jones co-stars Brock Peters, Carroll, Pearl Bailey, as well as Sidney Poitier and Sammy Davis Jr.
Dorothy married restaurateur Jack Dennison. She had spent years being careful with her money, but by 1962, the money was gone and so was Dennison. Dorothy was forced to file for bankruptcy. Drinking heavily and taking a variety of medication, she eventually flew to Mexico to focus on her physical and mental well-being. She signed a new movie contract, but never lived to fulfill it. She died in September 1965 at the age of 42.
While her death is a tragedy, Dorothy Dandridge opened many doors for African-American actresses with her role in Carmen Jones. Breathtakingly beautiful, she was destined to be a star, and for one brief, shining moment, she was. But her fierce determination helped pave the way for stars like Cicely Tyson, Pam Grier, and Halle Berry, who would win an Emmy for portraying Dandridge in 1999's Introducing Dorothy Dandridge.
One last bit of trivia: the Hollywood Walk of Fame, which boasts over 2,000 stars along Hollywood Blvd. and Vine Street, begins on the corner of Hollywood and LaBrea at a famous silver gazebo titled the "Four Ladies of Hollywood". It features four actresses who have become the representation of entertainment. They were designed to appear as goddesses, complete with long evening gowns and perfect posture. Those four ladies are Mae West, Dolores Del Rio, Anna May Wong, and Dorothy Dandridge.
Special Links of Interest: Dorothy Dandridge on IMDB
Dorothy-Dandridge.com
Dorothy Dandridge: A Life Unfulfilled
Purchase Dorothy Dandridge's CD "Smooth Operator"
The author would like to cite Brown Sugar: Eighty Years of America's Black Female Superstars, written by Donald Bogle, and Otto Preminger: The Man Who Would Be King, written by Foster Hirsch as sources for some of the information on this page.
Jean Harlow. The name resonates. Platinum Blonde. Blonde Bombshell. The labels applied by press agents during Harlow's seven-year career carry a charge 70 years later. An actress who died in 1937 has currency in 21st-Century culture. Harlow's films make new fans, whether in revival theaters, on cable television, or on DVD. Vintage Harlow photographs sell for as much as $14,000, and camera negatives for as much as $50,000. Chat room fans debate the cause of her husband's suicide and that of her own death. The movies' first blonde sex symbol has become a legend. In fact, Harlow is the very prototype of all the blonde icons who have followed, from Marilyn Monroe to Jayne Mansfield, an original blueprint for glamour and tragedy. In this, the centennial year of Jean Harlow's birth, Harlow expert Darrell Rooney and Hollywood historian Mark Vieira team to present the most beautiful -- and accurate -- book on Harlow ever produced. With more than 280 images, Harlow in Hollywood makes a case for Harlow as an Art Deco artifact in an iconic setting. Harlow in Hollywood is the first book devoted to both the Harlow image and the city that spawned it. Click HERE to order!
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